STL351: Woodworking From UK to the USA
Mike and Phil recount their woodworking adventures in the UK, and Phil and Ben discuss next week's Woodworking in America event!Mike Pekovich and Phil Huber join Ben for a deep-dive debrief of their week-long woodworking tour of England—equal parts museum crawl, shop visit, and design school. They start in London at the Building Crafts College (trade-focused millwork and stonemasonry) and then head to the Snowden School of Woodworking, where a “rip-only” table-saw philosophy reshapes how they think about workflow. Expect practical takeaways: setting a sliding miter saw’s depth stop for tenon shoulders, band-sawing cheeks, when loose-tenon joinery beats traditional layouts, and why tenoners still rule in pro shops. The crew also explores the national arboretum for a materials-first perspective and sits in on a boxwood masterclass with a Baroque instrument maker—an ear-opening look at density, tone, and why boxwood can rival ebony.
The inspiration snowballs in the galleries: the V&A’s technique-curated furniture hall (marquetry, carving, and old-meets-new pairings) and, in the Cotswolds, an Arts & Crafts manor designed by the Barnsley/Gimson circle that ties architecture and furniture into a single design language. At the Gordon Russell Museum, they’re encouraged to open doors and drawers—perfect for geeking out on English drawer slips, relieved edges, and chamfer “grammar” you’ll want to steal. There’s even a perfect pub-hall turning demo (pints included). The episode closes with a quick preview of next week’s Woodworking in America in Des Moines—presentations, vendors, shop talk, and plenty of time to compare notes with fellow woodworkers.
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Comments
I was on the tour with Phil & Mike and enjoyed it very much. There was something for every level of woodworker. Great job by our hosts. I’m looking forward to another tour.
Dave S.
I think the reason we use table saws differently in the UK to the US, is down to machine regulations. In the UK, a table saw has to have a riving knife and a top guard (crown guard) fitted at all times, that covers the top of the blade. We would not legally be able to cut tenon shoulders on a cross cut sled, as it would involve removing the guard, or the guard not covering the top of the blade. Years ago, i would have used a radial arm saw to cut tenon shoulders.
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